London: T. Becket and P.A. Dehondt, 1764. First Edition. First Edition. Association copy with the ownership inscription of John Reeve, a notable actor during the middle of the 19th century, dated "Haymarket 1830", which were among his last performances at the Haymark Theatre. 2 vol. 12mo. Collated complete.....

London: Printed and sold by S. Fisher. . . 1801. 1801 chapbook printing of a work first separately printed in 1799 and initially published in the Lady’s Magazine (v.28-9, 1797-98), as “The Two Castles: a Romance” by E. F. The authorship of this work, and its predecessor in the Lady’s.....

London: Printed for the Proprietor by John Johnson, 1817. One of only 18 unnumbered copies on white Chinese paper, which is mounted on larger vellum paper with a Greek motif border, all within another border of vines and leaves. Extensively illustrated with woodcuts by Thurston. Kohlmetz, who provided a bibliography.....

Glasgow: Robert and Andrew Foulis, 1768. First Scottish edition, which includes, among others, poems from Gray’s most famous work, Elegy Written in a Country Churchyard (1751). For this edition, the Foulis brothers had Alexander Wilson cut a special font of double pica roman type. Updike, Printing Types, II: 143.....

Dublin: Printed for P. Wogan [et al.], 1791. Third edition, being the first Dublin edition. This work was the spiritual successor to her arguably first work of prose, Thoughts on the Importance of the Manners of the Great to General Society (1788). Ever the reformer, in the instant work she.....

London: George G. Harrap & Company Limited, [1929]. Limited edition, #25 of 525 hand-numbered copies for England, signed by Rackham, in publisher’s full vellum with gilt title and spine. Illustrated with color frontispiece, 11 color plates, and numerous in-text black and white illustrations. 4to. [iv], 5-232pp.....

London: Printed for J. Dodsley in Pall-Mall, 1791. Sixth Edition; New Edition. Leather. Largely lost to obscurity in modernity, Shenstone was of significant influence in the latter half of the eighteenth century. Robert Burns referred to him as of of his favorite authors, and later referenced Shenstone in the Kilmarnock.....

Dublin: Sold by William Watson, and Son, No. 7 Capel-Street, Printer to the cheap [sic] Repository for Religious and Moral Tracts, and by the booksellers, chapmen, and hawkers, in town and country, [between 1797 and 1803]. Scarce Dublin printing of the second part of More’s story, first issued as an.....